Terence Winch


In our world, nothing compared
with Midnight Mass on Christmas Eve.
God’s power surging through the congregation,
from altar boys in our stiff collars and big red bows,
to the solid men of the parish in their finest array:
Blue suits, gold wrist watches, crisp white shirts.
The women perfumed and girdled, lipsticked
and bejeweled.  Enough incense
in the air to do the Wise Men proud.

The procession wound through the church,
organ honking, voices lifted in the special
Christmas sense of the slate wiped clean
and the universe beginning anew.
The tree in the house lit with fat colored bulbs
that looked good enough to eat. The old suitcase
full of fragile decorations, buried treasure found
every year on Christmas Eve and set free again.
The baby Jesus alive and well!  Herod thwarted!

This called for presents.  Toys, games, maybe
a watch or a knife.  Along with Jesus came the whole
cast of Yuletide characters—Santa, Rudolph,
the Chipmunks, Bing Crosby, Frosty, Scrooge.  
I’m surprised the Easter Bunny didn’t crash
the event.  My father put out apple pie
and a glass of milk for Sanny, the remaining traces
of which on Christmas morning were proof enough
for me and my brother Jimmy of the entire
supernatural infrastructure of Bronx Irish culture.

But it was the party after Midnight Mass
that I remember most.  Relatives and neighbors
would pour into our apartment for an all-nighter.
My mother would get the percolator going,
and start making breakfast for half the parish.
Bacon, eggs, blood pudding, plates of fresh rolls
with poppy seeds bought that day
in the Treat Bakery on Tremont Avenue.  

Eating breakfast at two in the morning!
This was a miracle for a ten-year-old boy.  
Bottles of Seagram’s and Canadian Club
stood at attention on the kitchen table,
silver ice bucket ringed with penguins
awaiting duty beside them.  Ladies smoking
and gossiping.  Glasses clinking.  Laughter
throughout the house.  The smell of pine,
the delicious aroma of sizzling bacon,
all welcoming Jesus back for another year.

Then the music and singing would start up,
my father on the banjo, P. J. Conway on the box.
The Stack of Barley, The Lakes of Sligo,
medleys of marches, waltzes, and polkas.
Theresa McNally, from my mother’s own town
in Galway, would sing “Galway Bay.”  Steps would
be danced, jokes told, more drinks mixed and gulped.

I would go to bed so filled with the spirit
it seemed impossible to believe that life could
ever return to normal.  Lying there exhausted,
but anxious to sneak down the hall at the earliest
opportunity and tear open the tantalizing packages,
I believed in everything: Jesus our Lord, Santa
our magic benefactor, my parents the immortal source
of the ongoing celebration that could never end.    


A drunk old woman named Aunt Peg
was our landlady. We were seventeen.
We’d come home drunk ourselves, boys
at the beach for a week, and Aunt Peg

Would chase us around the room naked.
It was an ugly sight. We would throw
up in our sleep and wake up in our mess.
Once Aunt Peg tried to get in bed with us.

She had a grown son confined to the basement,
a husband in a bathrobe who never spoke,
her life a b-movie horror story. We were young,
hair thick and dark, muscle definition cutting

Through tight tee-shirts. She was a scary hag.  
If the spirit has its own life, let the noises
it makes be as silent as the multiplication
and subtraction of time, and not
the rattle of a cough in the dark.

Now I look at our photos. Old guys, graying,
grizzled, pot-bellied, having a smoke
at the reunion. Wondering
what hit us.

Terence Winch

These two poems are from Terence Winch's new book, Boy Drinkers (Hanging Loose, 2007), due out in May 2007.  Previous collections include The Drift of Things (The Figures, 2001) and The Great Indoors (Story Line Press, 1994).  His other titles include Irish Musicians/American Friends (Coffee House Press, 1985), which won an American Book Award; Contenders (Story Line Press, 1989), a book of short stories; and That Special Place: New World Irish Stories (Hanging Loose Press, 2004), which draws on his experiences as a founding member of the acclaimed Irish band Celtic Thunder.  His work is included in the Oxford Book of American Poetry, three Best American Poetry collections, and has been featured on “The Writers Almanac” and NPR’s “All Things Considered.”  His poems have appeared widely in such journals as Verse,
Paris Review, and New American Writing.  The Bronx-born son of Irish immigrants, Winch has received an NEA Fellowship in poetry, among other awards.



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